At the Avignon Festival, the poisons and graces of heritage
The Letter', directed by Milo Rau, with Arne De Tremerie and Olga Mouak. Christophe Raynaud de Lage / Avignon Festival
Several of the festival's shows showcase the sometimes heavy debt artists owe to the generations that came before them. How can we honor this debt, but also manage to free ourselves from it?
La Croix gives you the opportunity to offer this item to your loved ones for free.
Subscribe to La Croix and offer this article to your loved ones for free.
I subscribeEach person is entitled to their own little altar, topped with their own photo. On the garden side, the portrait of Mohamed El Khatib's father is (sur)guarded by an imposing deer trophy. On the courtyard side, a small, currently mute, stuffed parrot sits ironically above the face of José Galvan, whose son, Israel, has followed—well, not quite—in his footsteps into the art of flamenco.
This article is reserved for subscribers
La Croıx
